| ID | Interpret | Skladba | Album | |
| 1. | Robert Powell | VERDI - RIGOLETTO - Opera – the beginnings | The History of Opera |  |
| 2. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 3. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 4. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 5. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 6. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 7. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 8. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 9. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 10. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 11. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 12. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 13. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 14. | Chandler, Dooley, Tanji | Collections questions | Text & Image: From Book History to the Book is History | |
| 15. | Jackie Dooley | The Real Stuff: Why Original Artifacts Still Matter | Text & Image: From Book History to the Book is History | |
| 16. | Anne Burdick | Composite Reading: Text and/as Image | Text & Image: From Book History to the Book is History | |
| 17. | Sharon Block | Seeing History Response | Text & Image: From Book History to the Book is History | |
| 18. | Robert Folkenflik | Anonymous Johnson | Text & Image: From Book History to the Book is History | |
| 19. | Cohen, Lawrence, Krapp | Welcome and Introductions | Text & Image: From Book History to the Book is History | |
| 20. | Barbara Cohen | Conference closing remarks | Text & Image: From Book History to the Book is History | |
| 21. | Robin Chandler | University of California Libraries and the Implication of Mass Digitization | Text & Image: From Book History to the Book is History | |
| 22. | Emily Rosenberg | Introduction to History | Text & Image: From Book History to the Book is History | |
| 23. | Edward Ayers | Seeing History | Text & Image: From Book History to the Book is History | |
| 24. | Elizabeth Parcells & | Welche Wechsel from Abduction from the Seraglio by W.A. Mozart | Opera | |
| 25. | Elizabeth Parcells & | Ach, ich Liebte from Abduction from the Seraglio by W.A Mozart | Opera | |
| 26. | Elizabeth Parcells | Aria of Elisa "Alla selva prata fonte" from Il Re Pastore by Wolfgang Amadeus Mozart | The Opera | |
| 27. | Elizabeth Parcells | Ich will nicht mit dir strafe geben | The Opera | |
| 28. | Elizabeth Parcells | Aria of Elisa | The Opera | |
| 29. | Elizabeth Parcells | Aria of Elisa "Barbaro!" from Il Re Pastore by Wolfgang Amadeus Mozart | The Opera | |
| 30. | Marius Evangelista | The Lord's Prayer | Pop@Opera.mus | |
